Sabtu, 23 Maret 2013

On 17.30 by Inter Delta


KODAK VISION 200T Color Negative Film 5274/7274
The remarkable sharpness and exceptionally fine grain of this tungsten-balanced film set it apart from other medium-speed products. It features all the color, contrast, and latitude filmmakers have come to expect from the family of KODAK Motion Picture Products. And, it intercuts beautifully with other KODAK Color Negative Motion Picture Films.
KODAK VISION 250D Color Negative Film 5246/7246
This daylight-balanced, medium-speed product has the grain structure and sharpness associated with slower speed stocks. Plus, it offers rich black shadows, clean white highlights, and excellent flesh-to-neutral reproduction. It handles mixed light and intercuts beautifully with other KODAK Color Negative Motion Picture Films.
KODAK VISION 320T Color Negative Film 5277/7277
This film is medium to high speed and tungsten balanced, with fine grain structure and very high sharpness. It features lower overall contrast and an additional reduction in toe contrast that provides a significant increase in underexposure latitude and shadow detail.
KODAK VISION 500T Color Negative Film 5279/7279/SO-579
This normal-contrast KODAK VISION 500T Color Negative Film has traditional tone scale and flesh tone reproduction. It offers excellent latitude with rich blacks and clean whites and delivers colorful images with fine grain and high sharpness. It is a robust, high-speed tungsten film that meets the needs of most low-light cinematography for telecine transfer or print release.
KODAK VISION 800T Color Negative Film 5289/7289
An exposure index of 800 in tungsten light makes this the world’s fastest color negative motion picture film. It delivers speed and latitude with the sharpness and grain structure you would expect only in films of a slower speed. Ideal when you want to use ambient light for fill, capture fast action, manipulate exposure, or increase depth of field. And it’s the ultimate film stock for working longer into the magic hour.
KODAK VISION Color Intermediate Film (ESTAR Base) 2242/3242
A color intermediate film for the preparation of color master positives from color negative originals for release printing, for mastering videocassette, DVD, and digital cinema releases, and for making color duplicate negatives from the master positives. KODAK VISION Color Intermediate Film is available in remjet acetate and non-remjet ESTAR Base and offers excellent sharpness for digital outputs. This film can be used for the preparation of color duplicate negatives from black-and-white silver separation positives.

KODAK VISION Color Print Film 2383/3383

KODAK VISION Color Print Film is intended for general release printing from color negatives or color intermediates. It features a non-remjet polyester base with a process-surviving anti-static layer to reduce dirt attraction and a scratch-resistant backing to improve projection life. This film has rich blacks and neutral highlights.
KODAK VISION Expression 500T Color Negative Film 5284/7284
KODAK VISION Expression 500T Color Negative Film offers lower contrast and wider latitude than our traditional VISION 500T 5279 Film, so it captures more detail in the highlights and in the shadows, while blacks remain strong. It offers a neutral tone scale and delivers soft, natural colors and smoother flesh tones. This specialized 500T Film was designed for when an overall softer, natural look is desired. The low contrast offers expanded flexibility in postproduction
KODAK VISION Premier Color Print Film 2393
KODAK VISION Premier Color Print Film features a non-remjet polyester base with
a process-surviving anti-static layer to reduce dirt attraction and a scratch-resistant backing to improve projection life. This film is high contrast, with very rich blacks and very saturated colors and neutral highlights, and is intended for general release printing from color negatives or color intermediates.
KODAK VISION2 500T Color Negative Film
KODAK VISION2 represents a breakthrough in film technology, optimized for both film and digital post-production. VISION2 products feature substantial improvements in grain structure, light-handling efficiency and neutrality. Incorporating advanced T-Grain(TM)technology, two-electron sensitizers, high activity couplers and advanced development accelerators, VISION2 is the most technologically advanced film ever.